Epic of Beowulf Essay - Beowulf and Its Formulas -- Epic Beowulf essay

Beowulf and Its Formulas The fashioning of Beowulf involved the choosing of formulas mostly, from a common body of narrative, rather than individual words, and mostly on the basis of alliterative needs. In his esay, The Pessimism of Many Germanic Stories, A. Kent Hieatt says The Germanic peoples seem to have inherited a common body of narrative, which is a key to understanding the often incomplete and puzzling allusions and interpolated stories forming a epic part of Beowulf (45). In his essay The Point of View and Design for Terror, Alan Renoir states The guess that Old English poetry was formulaic and composed orally at the time of recitation is all but generally accepted at present (154). About 20% of the half-lines are repeated at least elsewhere in the poem. An essential part of 50% of the half-lines are likewise repeated. A large percentage of these essential parts, or formulas, have a proportion to differents in the poem, suggesting that the poet was guided by the s ense of the poem, and perhaps by other factors like its sound or rhythm. The diction of Beowulf is schematized to an extraordinary degree (Creed 141). The innovation of formula needs defining perhaps. A formula can be a half-line, a whole line, a line-and-a-half sometimes, or as miniscule as a single-syllable word as long as it is a significant part of the scops rhythm. If not a phrase or a clause, a formula should be an article and its noun, a noun/pronoun and its verb, a verb and its object, a preposition and its noun, etc. For example the verb-adverb pair hwearf pa is proven to be a formula because it is repeated at the beginning of lines 1188 (hwearf pa bi bence), 1210 (gehwearf pa in Francna faepm), and 1573 (hw... ...er to Egbert. New York Oxford University Press, 1969. Creed, Robert P.. The Making of an Anglo-Saxon Poem. In TheBeowulf Poet, alter by Donald K. Fry. Englewood Cliffs, NJ Prentice-Hall, Inc., 1968. Hieatt, A. Kent. The Pessimism of Many Germanic Stories. I n Readings on Beowulf, modify by Stephen P. Thompson. San Diego Greenhaven Press,1998. Magoun, Frances P. Oral-Formulaic Character of Anglo-Saxon Narrative Poetry. In TheBeowulf Poet, edited by Donald K. Fry. Englewood Cliffs, NJ Prentice-Hall, Inc., 1968. Renoir, Alan. The Point of View and Design for Terror. In TheBeowulf Poet, edited by Donald K. Fry. Englewood Cliffs, NJ Prentice-Hall, Inc., 1968. Ward & Trent, et al. The Cambridge History of English and American Literature. New York G.P. Putnams Sons, 190721 New York Bartleby.com, 2000