Therein, the filmmaker explores what he called aesthetics of hunger, which is the exposition of a specific reality, exchangeable the misery and violence to which some of the Brazilian population is subjected to, finished images that try to cause tenderness: In the early 1960s, Glauber Rocha summarized the concerns of the sign phase of Cinema Novo in his Fanonian-inspired manifesto, An aesthetical of Hunger, to a fault known as An Aesthetic of Violence. In this manifesto he wrote: hunger in Latin America is not exactly an alarming symptom;! it is the sum of money of our society. Herein lies the sad originality of Cinema Novo in relation to land cinema. Our originality is our hunger and our greatest misery is that this hunger is felt only not intellectually understood Rocha is speaking not of real violence in a revolutionary occurrence, but sort of of an aesthetic of violence, a metaphorical usage of violence in a situation (Johnson 95)....If you want to get a skilful essay, order it on our website: OrderCustomPaper.com
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